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These factors also make it quite common for modern-day builders to promote modifications to the basic design, such as adding a finger board, pedal, electronic pickup, drumhead, or making the staff immovable.Įlectric "inbindi" bass which is amplified by a public address systemĮthnomusicologists trace the origins of the instrument to the 'ground bow' or 'ground harp' – a version that uses a piece of bark or an animal skin stretched over a pit as a resonator. The hallmarks of the traditional design are simplicity, very low cost and do it yourself construction, leading to its historical association with lower economic classes. As a result, there are many different names for the instrument including the "gas-tank bass", "barrel bass", " box bass" (Trinidad), "bush bass" (Australia), "babatoni" ( South Africa), "tanbou marengwen" (Haiti) " tingotalango" (Cuba), " tulòn" (Italy), "laundrophone" and others. Variations on the basic design are found around the world, particularly in the choice of resonator. In the 1950s, British skiffle bands used a variant called a tea chest bass, and during the 1960s, US folk musicians used the washtub bass in jug band-influenced music.
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The washtub bass was used in jug bands that were popular in some African American communities in the early 1900s. Although it is possible for a washtub bass to have four or more strings and tuning pegs, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension. Flamin’ Groovies co-founder Roy Loney 1946-2019 R.I.P.The washtub bass, or gutbucket, is a stringed instrument used in American folk music that uses a metal washtub as a resonator.Track Premiere: The Bobby Lees “I’m A Man”.Track Premiere: Datura4 “Mother Medusa”.Hiss Golden Messenger Drops Live Album for Durham Public Schools Kids.
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Most recently: #12, five late ’18 and early ’19 releases, including Jeff Goldblum, Tony Bennett/Diana Krall, & more.
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GO HEREfor full details, along with direct links to this exclusive content. Join Bill “Musoscribe” Kopp for a look at the jazz world – past, present, and yet-to-come, via interviews, essays, and reviews of new releases and archival titles. November 21 Linneas - San Luis Obispo, CA November 20 RECORD RELEASE SHOW Harvard & Stone - Los Angeles, CA
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November 7 The Brainwash Cafe - San Francisco, CA October 30 The Lexington - Los Angeles, CA Now watch out now cus’ it ain’t our last!” Recorded and produced by Arthur Alexander and released on Alive Records and we couldn’t have asked for it any other way. The band was discovered by Arthur Alexander (The Poppees, Sorrows) who wound up producing the album.įrontman Piedraita enthusiastically describes Let Loose as “a mixup of our influences, styles and personalities. Picking up cheap acoustic guitars, turning ordinary household items into instruments and constructing a traditional washtub-broomstick bass, they often busk in the streets of downtown Los Angeles to the delight of large crowds. Though founded on electric sound they also dig the old jug band style of playing. R&B/punk/Latin rock never sounded sweeter, and because it’s so sweet we are gonna gift you, the erudite Blurt readership, with an advance stream of the record. combo the Bloodhounds- Aaron “Little Rock” Piedraita on rhythm guitar, Johnny Santana on bass, Branden Santos on lead guitar and Mark Schafler on drums and percussion-will drop their debut album Let Loose next week on Alive Naturalsound, and it’s a heady brew indeed.